For more than three decades, Katharina Grosse has radically reshaped the terrain of painting.
For Grosse, painting does not belong to, in or on any particular surface; rather, it is a temporary ecology in which artist, site and viewer converge. 

In her practice, colour ​​moves freely between canvas, architecture and ground, clinging to the contours of the physical world. ‘Painting’, the artist notes, ‘has such an independence from space.
As such, it’s a proposal for a world manifested in a realm of reality that’s very hard to pin down’.