Referring to notions of idealised nature and machine-made futures, but also the nostalgia of hand
worked pasts, Hosnedlova’s research encompasses photography, archival studies and work with craftspeople.

From the lofty heights of White Cube’s 9x9x9 gallery, natural light falls upon Untitled from the series Embrace (2025), a landmark installation featuring an enormous, rugged tapestry with loose tendrils created from raw.

Variegated shades of moulting browns, rusts and coppers combine in its tufted and fibrous form,
in which a large, sandstone frame is nestled.